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It was late in 2018 when a major public broadcaster in the UK came to London-based 7FiveFive, a technology solutions provider, with a growth challenge. Their postproduction department had about 75 edit positions throughout the building working off a shared storage SAN and some orchestration for getting media in and out of the system. Files were stored in folders that were getting harder to locate and retrieve.
Caton Technology has implemented the first stage of a new contribution network for Eleven Sports in Taiwan, which operates two television channels and online sports streaming in Taiwan.
Here we look at some practical results of transform theory that show up in a large number of audio and visual applications.
Machine learning is often compared to the human brain. But what do they really have in common?
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SES and LiveU have partnered to offer an innovative end-to-end solution for live video contribution and distribution combined with premium content aggregation.
As users working from home are no longer limited to their working environment by the concept of a physical location, and infrastructures are moving more and more to the cloud-hybrid approach, the outdated concept of perimeter security is moving aside for zero-trust security.
Combination of the Encoding.com platform with the Telestream Media Framework brings unique advantages to enterprises seeking to harness the benefits of cloud media processing.
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the degree of complexity and stress ramps up as soon as a live audience is introduced, part two will look at more expansive light entertainment shows which have audiences, multiple presenters, bands and egos.
