Control rooms can be simple or complex, depending upon the type of content and the amount needed on a regular basis.

The Basic Principles Of Production Control Room Design

Designing and building a production control room means different things to different people and is often accomplished in a myriad of ways.

Is On-Board Recording Media A Dying Breed?

With the advent of camera-to-Cloud recording, will in-camera recording media be relegated to the dust bin of history alongside the Jaz Drive and the Sony Memory Stick? It could soon well be the case, but for it to happen, The Broadcast Bridge’s Tony Orme cites the need for a major…

Vendor Spotlight: Telstra Broadcast Services

Telstra helps customers span the globe. Offering a myriad of content delivery, production and playout services, Telstra Broadcast Services allows businesses, governments, communities and individuals to connect and expand their business across the globe in the most cost-effective way.

5G Broadcast Gains Momentum With Field Trials

Video currently drives the most traffic on public networks, accounting for two-thirds of the overall global mobile data consumption. How long it can continue to grow is still up for debate.

Electricity: Part 8 - Electric OB Vans

We are told that in the future all cars will be electrically powered. It is therefore quite natural that a broadcaster should consider whether outside broadcast vehicles might follow suit.

Ashley Xu - Crossing The Divide Between Creating For Social Media And Traditional Professional Media

Ashley Xu blew up on social media when she started making ‘thirst traps’ (adverts) in her college dorm. Check them out, you may be surprised by just how good they are. It did not take long for major brands to see it and commission her. It’s a fascinating example of…

Scalable Dynamic Software For Broadcasters: Part 1 - Introduction

IP has succeeded in abstracting away the media essence from the underlying transport stream, and in doing so is providing scalable and dynamic solutions that are facilitated through cloud technologies and software.

Advancing Look Management Workflows With Real-time Color Transforms

The global high dynamic range (HDR) market is expected to surpass $126 million by 2030, according to Allied Market Research. The projection shouldn’t come as a shock to media and entertainment (M&E) professionals who have been delivering HDR content for platforms like Netflix, Hulu, Disney+, and others for years. Meanwhile,…

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Productive Cloud Workflows - Part 1

IP is an enabling technology that facilitates the use of data centers and cloud technology to power media workflows. The speed with which COTS (Commercial Off The Shelf) hardware can now process data means video and audio signals can be transcoded, edited, and transferred with speeds that are fast enough…

Compression: Part 2 - Moving On From Analog

Compression is almost taken for granted despite its incredible complexity. But it’s worth remembering how compression has developed so we can progress further.