New efficient and flexible workflows like remote production and multi-site teams mean using IP to transport media between sites, and this brings its own challenges to flexible infrastructure design.
M-S techniques provide useful sound-field positioning and a convenient way to check mono compatibility. We explain the hard science behind this often misunderstood technique.
Net Insight is taking a major step forward in enhancing its internet media transport solutions by partnering with NETINT Technologies to integrate their cutting-edge ASIC Smart VPU™ video processing chip with AI into the next release of Nimbra Edge. This integration marks a strategic expansion of Net Insight’s capabilities, moving beyond transport to include advanced video processing and transcoding features directly within its platform.
Being faced with an IP and file-based broadcast environment can be daunting if you are not already an experienced Information Technology systems administrator. This series of articles will help you acquire the skills one-by-one to monitor and diagnose problems from the UNIX command line. Then you can build more sophisticated tools of your own to manage and automate your systems.
Leader Electronics of Europe has announced that Czechia-based Comprimato, a provider of high performance software encoding and transcoding solutions for broadcast and pro-AV markets, has chosen the PHABRIX QxL rasterizer for its product development process to enhance quality assurance and develop ST 2110 compliant video encoders.
One of the key challenges of building software defined infrastructure is moving to a fundamentally synchronous media like video to an asynchronous architecture.
If we take cloud infrastructures to their extreme, that is, their physical locality is unknown to us, then monitoring them becomes a whole new ball game, especially as dispersed teams use them for production.
Outside broadcast (OB) production company Game Creek Video has chosen Riedel’s advanced solutions for its newest OB trucks, showcasing a collaboration that marks a significant milestone in the industry. Built for two major U.S. broadcast/streaming entities to cover their largest sporting productions, the trucks — two sets of interconnected A, B, and C units — use the same Riedel Artist intercom system as the broadcasters use in their fixed facilities.
