SAPEC will lead the creation of the encoder that will allow the RTVE-UPM Cátedra to broadcast live 8K content via DVB-T2, which will be the first broadcast of its kind in the world. The RTVE-UPM Cátedra is a research collaboration between the Spanish public broadcaster RTVE and the Polytechnic University of Madrid.
AI company Newsbridge has announced a cutting-edge new AI landmark detection capability for indexing and searching media assets.
While the emergence of IP-based infrastructures has led to new ways of leveraging the traditional Production Control Room (PCR) and all of the hardware devices and software systems within, it continues to hold its important place as the center of an on-premise studio production in most content creation organizations.
The continuous growth in penetration and increased bandwidth capacity of unmanaged Internet networks has unlocked the possibilities of delivering broadcast quality live video over the Internet. The Secure Reliable Transport (SRT) protocol is presently the media industry’s favored open standard solution for Internet video transport. However, until now, available SRT solutions have had limitations in terms of capacity, density, and flexibility, hindering the take-up of SRT in professional video environments.
nxtedition, innovators in microservices-based production environments, makes its debut at NAB 2023 where it will demonstrate that the workflow of the future is available today.
Hitomi Broadcast is showcasing its latency and synchronisation tools at NAB 2023.
For more than 20 years DekTec Digital Video BV, (DekTec) has established itself as a reliable and trusted provider of cutting-edge products that cater to a broad range of video-related requirements. Based in Hilversum, The Netherlands, the company supports a variety of video production market segments with its products and systems, including those professionals working in the Broadcast, Pro AV and military sectors.
The Streaming Tsunami is emerging as broadcasters tune in to their own streaming video strategies. Today, most broadcasters deliver less than 10% of their total viewing hours via OTT streaming services. But things are changing due to consumer preferences for streaming, broadcaster strategies to focus on streaming, and industry-level choices about spectrum allocation. As described in Part 1, the Streaming Tsunami is big. So, what will we do about it?
