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Shock waves are interesting phenomena that take place in a number of different media. For an arcane physical process, they have done quite well to be adopted by the mainstream media as one of their clichés, along with Mae West life jackets and aircraft black boxes (which are orange).
Whether using cloud services in isolation or as part of a hybrid model, new working practices that may not be immediately obvious to broadcasters must be adopted from the very beginning of the design.
Matrox ORIGIN is a common development framework for the broadcast infrastructure of the future. ORIGIN provides the foundation for tier 1 live production in the cloud without compromise. Unlike anything else on the market, ORIGIN is the missing link for tier 1 live production that developers and broadcasters have long been calling for but didn’t think was possible for another decade.
Machine Learning, under the banner of Generative AI, is encroaching on creative aspects of Audio and Visual content generation, even down to production of movie scripts and screenplays. This builds on established applications of ML lower down the production chain, such as generation of clips and quality enhancement.
TV3, the primary television channel of the Catalan public media company Corporació Catalana de Mitjans Audiovisuals, has deployed a Riedel Artist ecosystem to connect its Audiovisual Production Center (CPA) and news editing facilities.
Grass Valley production switchers continue to lead in innovation and ease of operation with ongoing development in both panels and processing engines. The new Kayenne panel offers improved tactile response, more functionality and more operational flexibility.
BOING Recording Studios has expanded and future-proofed its Mumbai facility with two extra rooms, to handle both stereo and immersive projects. While a variety of options were explored for the new spaces, it was the combination of Genelec Smart Active Monitors and 9301B multichannel digital audio interface that delivered the ideal hybrid monitoring solution for the studio.
Highly accurate timing has always been required for video and audio signals due to the sampling requirements, and this has been an inherently hardware trait. But as we move to IP and cloud, we now have the opportunity to evaluate whether sub nanosecond timing is really needed and to consider the alternatives.
