With the ongoing growth of OTT content consumption, and the drive from live sports broadcasters to provide high-scale and high-quality Direct to Consumer OTT services, Streamers and their customers now demand streaming services that operate at the scale and quality of existing broadcast services.
Much of the OB production infrastructure has moved to IP, but has the connectivity between the cameras and the OB or backhaul also migrated to IP?
Live Sports Production has widely embraced Virtual & Augmented Reality techniques. Here we discuss the challenges of creating studio environments with a focus on camera motion tracking.
Lawo’s management platform for IP-based media infrastructures can now be upgraded to version 4.x. It comes with powerful new features and also introduces a significant change designed to provide more flexibility: the former HOME core licenses will cease to exist.
Understanding the motivations and implications of using large sensors in broadcast, demands an examination of the historical relationship between cinema and broadcast camera technology & creative production techniques.
FOR-A will showcase the European debut of “viztrick AiDi”, a groundbreaking intuitive on-device AI solution that operates without internet connectivity whilst delivering real-time video analysis with remarkably low latency.
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Autoscript and Autocue have announced the launch of a new advanced PTZ prompter system shared by both brands and designed to provide seamless, professional prompting in dynamic multi-camera environments.
As well as the global debut of its 48-fader Argo M, Calrec showcases its latest Argo software updates alongside a powerful True Control 2.0 workflow demonstration. The company is highlighting enhanced audio control, flexible remote production and streamlined broadcast operations across its award-winning consoles and DSP platforms.
