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In some ways, the best DOP and a sadist have a lot in common: We strive to make our viewers suffer and the curious thing is, our audiences love us the more for it. Of course, DOPs, like most civilized people, wouldn’t think to wrench the fingernails from our viewers’ fingers; I’m not talking about that kind of suffering exactly.
The power and flexibility of cloud computing is being felt by broadcasters throughout the world. Scaling delivers incredible resource and the levels of resilience available from international public cloud vendors is truly eye watering. It’s difficult to see how any broadcaster would run out of computing power or storage, even with 4K and 8K infrastructures.
Maxon has released its first Service Pack upgrade of Magic Bullet Version 15.1, including support for Epic Games’ latest Unreal Engine 4.
Most live remote outside broadcasts are thoroughly planned by producers and directors who are often too busy to consider potential equipment problems. Technology is an engineering responsibility. Engineers must be ready for any circumstances that threaten to take the show off-script or off-air, from dead wireless mic batteries to unexpected foul weather. In live TV, anything can happen and probably will, usually at the worst possible time.
The audio vectorscope is an excellent tool for assuring quality in stereo sound production, because it makes the virtual sound image visible in the same way that a television vectorscope allows the color signals to be seen.
For over five years, Lawo’s V__matrix IP-broadcast core infrastructure ecosystem has allowed users to transform their installations into a flexible, future-proof production and/or delivery facility. Its C100 processing blades accommodate a wide range of software-defined video and audio workflows and also facilitate the transition to a fully IP-based environment with best-of-breed gateway functionality.
While many production facilities nationwide saw bookings decline during the COVID-19 pandemic, Alex “Mixedbylex” Romero substantially increased his business at his Grand Bay Recording Studios in Tampa, Florida. After months of 18-hour days and a string of Gold and Platinum singles, Romero upgraded his main room with a Solid State Logic ORIGIN analog console. He has now also acquired a new building where he will soon open a larger, multi-room facility that will additionally house number of SSL hybrid production tools including SiX SuperAnalogue desktop mixer.
Time base correction is an enabling technology that crops up everywhere; not just in broadcasting.
