At one time, it was traditional to complain about the things that science had promised us but failed to deliver. Now we actually have a jet pack that’s practical, or at least that lasts more than thirty seconds, we’re free to turn our attention to some other things that seem perpetually just around the corner.
John Harris became a music mixer for broadcast television at a time when there was no such job. In the decades since he’s won 12 Emmys, three Grammys and a Peabody Award and has been at the forefront as the industry has made the transition from stereo to 5.1 surround and now immersive audio.
As users return to the studio and office the need to work remotely is more powerful now than ever. Hybrid is the new way of working and computing innovation is rising to the challenge to provide broadcast users with easy to use, and secure operations from their local PC/Workstation.
Cinematography is not generally a field given to the idea that less is more. Probably the most direct and current expression of that is large format, a term that isn’t even particularly well-defined, let alone a technology that usually produces a particularly identifiable look.
IBC has set out its stall as a hybrid event with content issues more prominent than ever before for the postponed 2021 event scheduled for 3-6 December.
Sky directors of technology and content processing assess the challenges and benefits of evolving media supply chains from traditional on-premise to the cloud.
Throughout this article we will discuss how taking advantage of SDM interfaces based on the Intel Smart Display Module (SDM) platform can transform the way display and video wall design and installations are approached.
Orchestral performances may be a relative rarity on U.S. broadcast television these days, but the past 18 months has seen quite a growth in classical music streaming online. Orchestral music has long been wrapped up in certain expectations, from the seating of the musicians to the quality of the audio, but the coronavirus pandemic has chipped away at some of those expectations, and that’s a good thing, according to New York-based Jody Elff, a Grammy Award-winning audio engineer, sound artist and designer.