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EBU R143 formalizes security practices for both broadcasters and vendors. This comprehensive list should be at the forefront of every broadcaster’s and vendor’s thoughts when designing and implementing IP media facilities.
Focusing on the needs of film and TV productions, DPA is highlighting its 4097 CORE Micro Shotgun Microphone, which can also serve as a boom mic for broadcast applications. Two important mic solutions ideal for televised live event productions, the 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones and the 4055 Kick Drum Mic, will also be featured on the show floor.
_460_252.png "Glensound extends digital capabilities and security with new launches at IBC 2022.")
Glensound will showcase the latest developments in its practical, road-ready systems at IBC 2022. The additional functionality is in response to the continuing demand from users in eSports and live events as well as broadcast.
We continue our series on things to consider when designing broadcast audio systems with the beating heart of all things audio – the mixing console.
TAG Video Systems has announced plans to introduce the European market to an enhanced version of its ground-breaking Media Control System (MCS) at IBC 2022.
Remote Integration Model (REMI) production is more than remote cameras. It’s a new way of thinking and working. This tale of trying to implement a REMI production model within tight financial constraints highlights some of the operational challenges involved.
Remote Picture Labs has introduced the RPL Platform, a modular offering of cloud-based post-production solutions that bring unprecedented flexibility, uncompromising performance, and unparalleled efficiency to workflows from pre-production through delivery.
Cobalt Digital’s IBC plans include a native 4K ST 2110 solution, SafeLink Gateway as a software package and a quad-channel 3G-SDI bridge to Dante audio.
