The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
As part of the “Ü6 Renewal” project, Studio Berlin has replaced its long-standing Ü6 HDTV outside broadcast (OB) truck, in service since 2006 for countless TV productions, with a modern, permanently installed control room at its Hamburg facility. Central to this new control room are innovative AoIP solutions from Lawo, combined with a RAVENNA network, significantly streamlining workflows, and greatly increasing production flexibility.
Over the past 15+ years, Zixi has become a trusted leader in live IP video delivery and orchestration technology, evolving from a pioneering protocol to a comprehensive platform with a who’s who list of clients including Amazon Prime Video, Bloomberg, Fox, Fubo, MLB, NFL, Roku, Sinclair, Sky, Warner Media and YouTube TV.
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
arkona technologies is proud to announce a substantial order from one of Norway’s largest broadcasters. The order is for our BLADE//runner solutions for IP gateways, A/V processing, Ultra Low Latency video-compression and audio shuffling.
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio, NDI Bridge and NDI Remote.
All aspects of video, including IMAG projection, during the Maspalomas Costa Canaria Soul Festival were delivered using an acquisition control and delivery solution from Blackmagic Design.
