Design your monitoring system to be self-installing and maintain just one single set of source files that are cloned to your target systems. Implement self-configuring logic to avoid manual reconfiguration when new systems are added.
The University of Arizona (UofA) has significantly upgraded its broadcast communication infrastructure with the integration of Riedel Communications’ advanced intercom technologies.
RMC BFM, part of the CMA-CGM Group and France’s third-largest private media group, has chosen Grass Valley’s production switcher and multiviewer solutions to drive its move from SDI/HD to SMPTE ST 2110 IP and UHD workflows.
Riedel Communications has partnered with BAPS Swaminarayan Akshardham, recognized as the third largest Hindu temple in the world and the largest in the U.S., to implement a cutting-edge media and communications infrastructure.
Why moving from SDR to HDR production pipelines requires a carefully crafted approach to monitoring.
Riedel Communications proudly served as the official partner for the Rhine-Ruhr 2025 FISU World University Games, delivering a comprehensive Managed Technology service spanning communications and network infrastructure for all event venues and the International Broadcast Center (IBC). The Riedel team ensured seamless connectivity and flawless coordination across one of the largest multisport events of the year, including the spectacular opening and closing ceremonies.
Welcome to Part 4 of ‘Live Sports Production’ - This multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading broadcast engineers. It is a fascinating insight into what is being done every day around the world.
Part 4, delivered here, moves on to discuss the array of specialist cameras required for many sports along with the systems required to support them. It also delves into the world of audio, looking at the modern Audio Control Room in the context of distributed production models and how microphone selection and the skills of an expert audio engineer remain the foundations of the fine art of audio acquisition.
‘Monitoring & Compliance In Broadcast’ explores how exemplary content production and delivery standards are maintained and legal obligations are met. The series includes four Themed Content Collections, each of which tackles a different area of the media supply chain.
Part 4 contains three articles which shift focus away from the leading edge of multi-platform delivery to the traditional technology of OTA broadcast. Estimates vary considerably by source but anywhere between 15% of audiences in the USA to 70% in parts of Europe, consume their content via OTA broadcast. High-power RF technology remains critical infrastructure. Keeping it reliable is still central to audience QoE and compliance is mandatory… effective strategies for monitoring are key.
