Here we explore some old school common sense, remote probes, and the role of SFN’s in achieving effective coverage in the ATSC 3.0 roll out.
At this year’s European Respiratory Society (ERS) Congress, held at the RAI Amsterdam, LiveConnect delivered an ambitious and technically complex live production that connected multiple hospital treatment rooms directly with an audience of global medical professionals. Powered by QuickLink’s StudioPro solution, the setup enabled an immersive live endoscopy session that showcased real-time medical procedures with unprecedented clarity and precision.
This series provides a unique reference resource for those specifying, deploying and maintaining Media Asset Management Systems for production and archiving. It describes the types, terminology and technology of Media Asset Management systems. It discusses architecture, metadata, approaches to automation, integration and the pros and cons of bespoke Vs off-the-shelf systems.
Welcome to our new series on Content Operations – Part 1 focuses on the rise of multi-screen delivery and how the production of multi-format content is aiming to feed different consumption channels, all at the same time.
This series provides a unique reference resource for those specifying, deploying and maintaining Media Asset Management Systems for production and archiving. It describes the types, terminology and technology of Media Asset Management systems. It discusses architecture, metadata, approaches to automation, integration and the pros and cons of bespoke Vs off-the-shelf systems.
Sennheiser’s Spectera bidirectional wideband digital wireless ecosystem has been shipping since April 2025. Is it really transforming wireless pro audio so much? What benefits does it bring for sports broadcasters? Find out in this interview with Sennheiser’s Tobias von Allwörden, Manager Broadcast & Film, and Theresa Vondran, Category Market Manager Pro Audio.
Achieving high QoS and QoE requires both ensuring the content of the broadcast is compliant and the connectivity between the studio and transmitter is robust.
This series provides a unique reference resource for those specifying, deploying and maintaining Media Asset Management Systems for production and archiving. It describes the types, terminology and technology of Media Asset Management systems. It discusses architecture, metadata, approaches to automation, integration and the pros and cons of bespoke Vs off-the-shelf systems.
