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Enabling Interop Between AIMS, ASPEN, NewTek NDI and Sony NMI: Questions Answered
Confused about moving to IP? Don’t worry you are not alone. While recent moves by Evertz, chief promoter of the ASPEN live IP production protocol and Sony, architect of its own route to live IP, to join the Alliance for IP Media Solutions would seem to herald a breakBeyond the Hybrid: How Might an IP-Based Facility Look?
Broadcast and production facilities will maintain islands of SDI-dependent functionality within their workflows for the near to mid-term. Even so, an increasing number of facilities are on the road to establishing operations that can truly be called IP-based. With several IP-migration roadmaps from which to choose, and the likely hood3D May Be All But Dead But The Craft Lessons Of 3D Are Not
Today, except for the few studio tent pole 3D movies, the format has become all but irrelevant for most non-theatrical applications. Digital photographer Barry Braverman says we still learned from the experience. …Does your facility still need to play vinyl records? If so, there remain multiple solutions and both Sony and Techniques introduced new models at CES 2016.
UHD TV Closer After Approval of Second Phase with HDR
Europe’s TV standards body DVB has taken a further step towards Ultra HD TV (UHD) commercial deployment by approving UHD-1 Phase 2 at a recent meeting of its Steering Board. This second phase of the UHD commercial requirements adds support for HDR (High Dynamic Range) and Higher Frame Rate (HFR). &hPassion, Planning, and Duct Tape
Live TV field production of one-off sports events is an open invitation for surprises of all kinds. The show must go on and it’s the worst possible time for drama. It’s a good fit for passionate engineers who thrive on winning and enjoy alternating bursts of despair and adrLattice—Wrangling LUTS
Many productions rely on multiple cameras, sometimes from different manufacturers. This creates a color-space problem in production. Lattice can help resolve those issues by color matching the images. …Tiny Wavelengths, Big Solutions
RF modulation is the ink of broadcasting. Broadcasters understand RF and get government licenses to transmit on assigned frequencies. They depend on the government and local frequency coordinators for interference-free privacy. The latest, most popular emerging RF systems are unlicensed and operate in extremely high frequency (EHF) public Wi-Fi bands.IP Means Integrated Production
Today’s smartphone owners carry more powerful video technology in their pockets than the best state-of-the-art TV broadcast or production facilities could provide two decades ago at any price. The second decade of this century is when off-the-shelf computing matures to the point that it can facilitate and manage nearly aSDI or HDMI? Yes!
Video over HDMI has proven for more than a decade it has a place in professional and broadcast TV infrastructures and its use continues to grow. Will HDMI replace the SDI interface? …
