Videosys Broadcast Shows Epsilon Camera Control Upgrades At IBC 2022

Already popular with broadcast operators and vision mixers because it is so easy to use, the Epsilon wireless camera system now features a useful 12G output.

Compatible with major manufacturers such as SonyPanasonicARRIHitachi and Ikegami, Epsilon is an integrated solution that is designed to simplify the installation and operation of regular radio camera systems in all areas of outside broadcast and studio-based production. It is conceptually similar to regular CCU systems supplied by the main camera manufactures, meaning operators tasked with matching multiple camera set ups can do so quickly and effectively because they are already familiar with the connection nomenclature.

Videosys Broadcast will be showcasing the latest Epsilon system now with 12G output, giving operators the option of simplified 12G single cable connectivity. This useful addition can significantly improve workflow, especially when projects are being shot in 4K.

Epsilon comprises up to two, dual channel fibre receive slot in modules, RF receiver and decoder options either HD – H264 or H265 up to 4K. Epsilon can operate either single or dual pedestal, improving the data rate while retaining robust RF performance. This is especially important for high quality Light Entertainment productions where there is a requirement for very high picture quality with no increase in latency.

In addition to the 12G SDI upgrade, Videosys Broadcast has also added TSL TallyMan capabilities. This means that operators can utilise the full power of TallyMan’s control system with both tally and UMD data available.

You might also like...

Next-Gen 5G Contribution: Part 1 - The Technology Of 5G

5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.

Virtual Production At America’s Premier Film And TV Production School

The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world…

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Shooting Apple TV Series ‘Constellation’ With Cinematographer Markus Förderer

We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.