Pliant Technologies, a provider of professional wireless intercom solutions, presents two new additions to its renowned CrewCom system at IBC 2025, the CXD-32CF 32x32 I/O Digital Audio Network Interface along with its new Six-Bay Battery Charger (PBT-6BAY-01). The brand’s newly available PHS-IEHU In-Ear Universal Fit Headset will also be featured at the show.
Welcome to Part 1 of our new multi-part series on Big Chip Cameras For Broadcast. This series examines the growing demand for cinematic aesthetics in broadcast, the role of large sensor camera technology in delivering them, and the technical and creative challenges it presents.
For its live-event-based streaming services, CBC/Radio-Canada, the country’s national public broadcaster, now accommodates up to 80 streaming events simultaneously using only two instances of Lawo’s HOME mc² DSP app.
How broadcast and live production workflows are being transformed by public cloud compute infrastructures, flexible microservices architecture and AI innovation.
Meeting the requirements for simple, scalable and rapidly deployable live sports production systems is a challenge that Riedel’s SimplyLive Production Suite is ready to beat.
Welcome to Part 1 of our new series on Immersive Audio - This series examines the role of spatial audio in the competitive media landscape. It discusses production & delivery formats, technical production challenges and new creative tools & techniques.
Gravity Media’s London Production Centre expansion reaches far beyond its walls with Calrec Argo and True Control 2.0 technology.
Welcome to Part 2 of our series on Sports Graphics Production - a collection of six articles presented in two parts, that examine two key areas of live sports broadcast; data driven visualizations and the rise of virtual studio environments.
