Public service broadcasters are not having a good time of it. Premium live sports coverage has become a white-knuckle ride for many PSBs, and as deep-pocketed streamers muscle in and the field of competition widens, many are left with diminishing control.
Riedel Communications has announced its return as a sponsor of the Glasgow 2026 Commonwealth Games, where the company will serve as the Official Connectivity Integration Provider and will be an Official Partner for Team Scotland.
Our appetite for stories is insatiable, and these days we can alter our realities to tell whatever story we like. It’s as easy as pressing a button and virtual production is the key.
SipRadius has launched a dramatic new approach to AI content creation with Ferox Films.
Reach is no longer just about where you broadcast, but how you broadcast. It’s a design choice which starts early in the production process and influences not only how content is discovered, but how it is accessed and experienced across a constantly shifting delivery ecosystem.
We need standards more than ever.
The rapid evolution of technology and connectivity is challenging the very idea of what broadcasting is. Broadcasters are having to find new commercial models to maintain audiences, and modern production workflows deliver the flexibility to do exactly that.
Digital Azul, the Lisbon-based production company specialising in complex live events and distributed broadcast workflows, has launched a new Master Control Room (MCR), significantly expanding its capability to deliver multi-site productions with centralised editorial control.
Broadcast cameras have adopted a very similar lens and sensor setup since the invention of the CCD. That’s no longer the case, and in a world where it pays to stand out, broadcasters are being drawn to somewhat more cinematic aesthetics.
