In the UK we have Oxford v Cambridge. In the USA it’s Princeton v Harvard. The only difference is that one is a boat race and the other is computer architecture race.
This is the second instalment of our extended article exploring the use of the 5GHz spectrum for Comms.
Gain control in digital audio is essentially a numerical model of the same process in the analog domain.
Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload are less predictable and packet distribution more tightly defined leading to the need to use specialist media stream centric monitoring tools.
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Speculative fiction is something that’s often hovered on the borders of drama, fantasy and sci-fi, and one of the huge benefits of the streaming media revolution is that much more of the genre has found a way in front of both a camera and a large audience.
A recent Lawo remote activities case study notes, “It should be obvious by now that remote operation has been seriously underrated. For some, it allows to save substantial amounts of money, while others will appreciate the time gained from not having to travel.”
As broadcasters strive for more and more unique content, live events are growing in popularity. Consequently, productions are increasing in complexity resulting in an ever-expanding number of production staff all needing access to high quality communications. Wireless intercom systems are essential and provide the flexibility needed to host today’s highly coordinated events. But this ever-increasing demand is placing unprecedented pressure on the existing lower frequency solutions.
The year 2020 was a big milestone for the broadcast industry. All major events were cancelled, but media operations still needed to produce shows and events even during the crisis. More than ever, broadcasters turned to the remote production and IP production; in fact, according to Omdia, 37% of media enterprises are now set to embrace remote production on IP.
