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Broadcast microservice specialist nxtedition has further enhanced the consolidated production and playout platform with nxt|cloud, a complete deployment of nxtedition which runs in the public cloud.
In some ways, the best DOP and a sadist have a lot in common: We strive to make our viewers suffer and the curious thing is, our audiences love us the more for it. Of course, DOPs, like most civilized people, wouldn’t think to wrench the fingernails from our viewers’ fingers; I’m not talking about that kind of suffering exactly.
Interra Systems’ QC and monitoring software, including BATON, BATON Captions, and ORION-OTT, are now available on Google Cloud, empowering video service providers to adopt cloud workflows, rapidly launch traditional broadcast and video streaming services, reduce capex costs, and eliminate infrastructure maintenance.
The power and flexibility of cloud computing is being felt by broadcasters throughout the world. Scaling delivers incredible resource and the levels of resilience available from international public cloud vendors is truly eye watering. It’s difficult to see how any broadcaster would run out of computing power or storage, even with 4K and 8K infrastructures.
As Pro AV productions get more complex, the industry has longed for a set of common, ubiquitous, standards-based protocols for interoperability on a managed video-over-IP network. In 2017, as the first set of SMPTE ST 2110 standards were published, AV professionals saw the framework of their dream become reality.
UK-based service provider Inca Cloud is the first to build a multi-cloud service alternative to the public cloud on Nebulon infrastructure.
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Australian broadcaster Seven West Media has engaged the AWS Channel Assembly feature in AWS Media Elemental MediaTailor to spin out virtual channels quickly for offering niche audiences tailored selections of content.
Most live remote outside broadcasts are thoroughly planned by producers and directors who are often too busy to consider potential equipment problems. Technology is an engineering responsibility. Engineers must be ready for any circumstances that threaten to take the show off-script or off-air, from dead wireless mic batteries to unexpected foul weather. In live TV, anything can happen and probably will, usually at the worst possible time.
