A new year means a new look at how your operations are handling (producing and delivering) content and which new technologies might make things better.
“There will never be an option where the network is so resilient that you don’t need a backup plan.” Mike Kralec, SBG.
Entertainment over the internet has gained significant traction over the last years. For this reason, companies have developed new business models in order to retain customers, by meeting their emerging needs and studying the behavior patterns of online streaming consumption.
IP monitoring differs from SDI and AES due to the abstraction of the video, audio and metadata essence leading to new methods of measuring and monitoring levels and timing.
Creating an LED light that looks reasonable, both on camera and to the eye, is no longer that difficult.
As the pandemic pushes remote technologies to the fore, cloud production is undergoing a baptism of fire. The move towards cloud-based production environments has been rapidly accelerated by the pandemic forcing the video ecosystem to quickly shift to a new way of working, using cloud-based production techniques to solve the physical separation of their workforce.
If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.
In looking back at the brief history of digital audio there are a few salient points that may help us to see where the technology may go in the future.
