If we could get lights capable of full color mixing at the same price as conventional white-only ones, would we?
At NAB-2022, Hitachi Kokusai Electric Comark (COMARK) introduced the latest E-Compact “BB3” third generation of air-cooled, solid-state UHF high efficiency DTV transmitter product line. Air-cooled transmitters used exclusively for LPTV and Class A digital stations, but also are gaining in popularity for Single Frequency Network (SFN) applications.
Distributing error free IP media streams is only half the battle when building reliable broadcast infrastructures. SDP files must match their associated IP media essence or downstream equipment will not be able to decode it. In this article we dig deeper into SDP files and media IP streams to understand how to keep broadcast infrastructures dependable.
Founded in 2008 in Boston Mass, Zixi began as a company that targets broadcasters, enterprises, over-the-top video providers, and service providers around the world with a content- and network-aware protocol that dynamically adjusts to varying network conditions and employs error-correction techniques for error-free video streaming over IP networks. The intention is to make it easier and more economical to source, manage and distribute live events and live linear channels securely and at scale.
John Watkinson moves on to discussion of the effects of the medium waves are travelling in and explains why loudspeaker enclosures contain foam.
Podcasting is an increasingly popular pastime in the U.S., with an estimated 120 million podcast listeners in 2021. Back in 2006, only 22 percent of the adult population was aware of podcasting. By 2021, this figure had risen to 78 percent. Podcasting is becoming an important part of the multi-format mix for many broadcasters.
In the last article we looked at why TCP/IP internet delivery is incredibly difficult to scale and how 5G-NR can overcome its limitations. In this article we dig deeper into 5G-NR to understand why it is such a powerful solution for all broadcasters looking to reach wider audiences.
Part 1 focused on what poor streaming quality means and what it can cost a D2C Streamer across multiple financial dimensions. This article focuses on preventing and fixing problems.
