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HSC.TV Shoots Kansas City Chiefs Promo “A New Era” For ESPN’s “Sunday NFL Countdown”
hsc.tv, a New York City-based production company, has shot a promotional piece entitled “A New Era” about the Kansas City Chiefs’ legacy that aired on ESPN’s “Sunday NFL Countdown” on Super Bowl Sunday. …International News Agency Studio Relocation And Modernisation Completed By ATG
ATG Danmon announces the completion of new broadcast television production facilities for one of the largest and longest established global news agencies. The project included the design and integration of two new studios plus associated galleries and a master control room. …TV Leaps Into 2021 At Virtual CES
In modern consumer electronics history, every new year begins with an early January Consumer Electronics Show, followed by the April NAB Show, both in Las Vegas. Significant new home and broadcast video and audio technologies are often rolled out at both shows, targeted for near-opposite markets wanting to enjoy orKABB’s Chief Meteorologist Shares His Successful Broadcasting From Home Formula
When the pandemic began shutting down TV stations in the spring of this year, journalists and producers were left to figure out how to work from home and set up technical systems they were very unfamiliar with. In many cases panic set in. …Cameras Galore At Virtual IBC 2020
In terms of new broadcast cameras, if the recent virtual IBC convention is any indication of how the industry is supporting broadcast and TV studio customers, buyer confusion reigns supreme. Gone are the days of one-camera-fits-all applications. …Creative Analysis: Part 7 - Cinematographer Chris LaVasseur On Warrior Nun
“‘Chris,’ she said, ‘it’s about an order of nuns who’re protecting the world.’” …Creative Analysis: Part 6 - The Middle Man With DOP John Christian Rosenlund
Director of photography John Christian Rosenlund has at least a three-decade history with director Bent Hamer. Their most recent collaboration, The Middle Man, depicts a town in the northern United States during a post-industrial depression. It’s perhaps not a subject instinctively associated with Rosenlund and Hamer’s Norwegian roots, thoDOPs & Post Production: Is This Our New Livelihood?
Before pandemics and the downsizing at traditional, broadcast news operations, many news and non-fiction DOPs were already assuming a significant role in post-production. Whereas frame rates, f-stops, and the character of our lenses, once formed the backbone of our expertise and practice, DOPs in the non-theatrical realm increasingly find ourselvesWe Need Perfect Lenses After All
Veteran cinematographers and DOPs have long understood that lenses have a personality with a specific look and feel. In the same way that an actor imparts his or her interpretation on a film’s story, the DOP selects a lens that best supports the program’s emotional stakes. The ideal camThe NAB That Wasn’t
Due to the medical emergency the country now finds itself in, this year’s NAB Show in Las Vegas was postponed to later this year. If it had happened, the main themes of artificial intelligence (AI), high dynamic range (HDR) acquisition and remote production would have all been front and c
