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Harmonic has introduced a new Single Illumination System (SIS) offering to ensure greater interoperability and cost savings for broadcast operators with digital terrestrial television (DTT) and direct-to-home (DTH) services.
The more digital TV technology advances, the more the fundamental elements of TV remain the same.
As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.
Chyron’s PRIME VSAR merges the cutting-edge graphics of Epic Games’ Unreal Engine 4 with Chyron’s built-for-broadcast design, editorial, and live production capabilities to radically simplify virtual production.
It was late in 2018 when a major public broadcaster in the UK came to London-based 7FiveFive, a technology solutions provider, with a growth challenge. Their postproduction department had about 75 edit positions throughout the building working off a shared storage SAN and some orchestration for getting media in and out of the system. Files were stored in folders that were getting harder to locate and retrieve.
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the degree of complexity and stress ramps up as soon as a live audience is introduced, part two will look at more expansive light entertainment shows which have audiences, multiple presenters, bands and egos.
At IBC 2022, Evertz is showcasing its DreamCatcher BRAVO Studio virtual production control suite that gives content creators all the tools they need to create more stories in the Cloud.
Rohde & Schwarz and Qualcomm Technologies have once again joined forces to underline the potential of 5G Broadcast/Multicast to drive new business models and transform the way content is delivered.
