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A discussion of camera sources, contribution network and remote control infrastructure required at the venue.
A discussion of how to create reliable, secure, high-bandwidth connectivity between multiple remote locations, your remote production hub, and distributed production teams.
In part one we looked at some of the reasons for the growth in adoption by next generation consumers, and how hardware and content production are combining to give more people better access to spatial content. Here we will look at some of the basics; how spatial audio is achieved, captured, can sound and can be spatialized post-capture, as well as what formats are required to manipulate it all.
An examination of how to plan & schedule resources to create resilient temporary multi-site broadcast production systems.
Riedel share their insider insight into how comms and network infrastructure was achieved for the massive 13 stadium 2022 production.
Israel’s free-to-air public television station KAN Channel 11 partnered with AVCOM, a prominent systems integrator and Clear-Com partner, to outfit its new OB van for remote production coverage for its Israeli audience.
Kevin Emmott shares a personal perspective on what has happened in Audio in 2022 and the new technologies which might drive what we hear next.
In television, ‘talent’ isn’t just the people in front of the camera. Everyone working at a station needs talent, dedication, initiative, and team spirit to succeed.
