The rise of the PTZ camera, discussed in a previous post, fits into the wider trends for remote operation, robotic cameras, and automated content production. We spoke with Mark Roberts Motion Control (Nikon-owned since 2016), one of the pioneers in robotic cameras to gain insight into the drivers for this, new…
The announcement by Blackmagic of their new RAW camera file format reminds us that there is choice to record RAW versus regular video with digital cinematography cameras. What is RAW, what are the pros and cons, and why should cinematographers capture RAW files rather than conventional video?
At a first…
There are many misconceptions about what “the cloud” actually means and it would be a shame for anyone to miss the benefits of managing media in the cloud because of this. Let’s look at the five most common misunderstandings about using the cloud for media management.
Microsoft has adopted technology from IO Industries to raise Virtual Reality production to new heights of realism and flexibility.
The industry has long considered Ultra High Definition (UHD) with High Dynamic Range (HDR) to be the ‘wow factor’ behind the next-generation TV viewing experience. Unfortunately, there are too many different HDR formats being touted, causing industry confusion about how to proceed, which in turn has delayed deployments.
Back in 1972 — when the arcade video game, Pong, came on the scene — electronic gaming was born. Now millennials are drawn to eSports and NAB NY 2018 will show broadcasters ways to help capture that audience.
Competition in the global video and media market is increasing with many more points of creation and distribution of content being made available. Combined with an exploding catalog of programming and new devices to support, broadcasters can no longer succeed with a one-to-many delivery solution. Successfully meeting these challenges requires…
The options for sophisticated post production editing are becoming ever more varied. Now, you can even carry them with you in your pocket.
A few years ago, remote Pan Tilt Zoom (PTZ) cameras were regarded as being low quality and not suitable for professional use. Thanks to the advances in sensor, IP technology, the introduction of fanless designs and optical image stabilisers, the balance has been tipped in favour of remote cameras as…
As we migrate to IP, broadcasters are thinking about how they will interface their SDI, MADI, and AES systems together. Many see the benefit of IP and one day all devices will be IP-enabled. But until that time arrives, we need to understand how to interface new and old together.…