The only major consumer electronics show in the US is the January CES. It’s where manufacturers, reps and dealers search for early clues to 2020’s best sellers. This year, nine exhibitors showed NEXTGEN TV.
Computer game apps read compressed artificial world descriptions from a disk file. This artificial world is regenerated by the CPU and loaded into the GPU where it is displayed to the gamer. The gamer’s actions are fed back to the GPU which dynamically modifies the artificial world it displays.
The derivation of the famous CIE horseshoe was explained in the previous part in terms of a re-mapping or distortion of rg color space. The derivation is somewhat abstract because the uses of color science go far beyond the applications in broadcasting. However it is equally possible to describe CIE…
In Part 1 we introduced the benefits of Audio over IP and investigated some of the subtleties that make it the ideal choice for modern broadcast facilities. In Part 2, we look at the practicalities of making AoIP work in a real-time television environment.
From the Women’s World Cup, Wimbledon to the FA Cup Final and more, 2019 has seen some of the highest viewership stats in sporting event history.
The Bluetooth Special Interest Group said the new standard is called LE (Low Energy) Audio and is designed to enhance the Bluetooth audio experience. It is a separate standard from Bluetooth 5.0 and includes a Broadcast Audio feature.
We live an era of immensely powerful post-production tools with advanced color-correction and software plug-ins to serve every conceivable function. We can routinely remove guy wires from scenes, change day to night, and add just the right amount of coral or other color to fit any desired mood or impulse.…
We’ve all heard that annoying piercing sound. It ranges from a loud dull rumble to an irritating screech resembling a human cry. We usually react by covering our ears to avoid the pain.
Unlike the days of incompatible PAL, SECAM and NTSC analog TV sets and expensive conversion from one standard to another, ATSC 3.0 is frame rate agnostic.
Last time, we talked about the history that created modern digital cinema technology, and particularly the factors which lead to the modern push for ever larger sensors. It’s been going on in some form for twenty years, to the point that we’re now asking for bigger imagers than cin…