Looking to create a teaching environment based on the latest technologies and workflows for the benefit of its students, the Northwestern University in Qatar (NU-Q) has installed a Calrec Audio Artemis Light console and Hydra2 network for the school’s new state-of-the-art video production facility. The Artemis Light brings robust a
360-degree video is hot. Global 360-degree camera sales are expected to grow at an impressive CAGR of more than 35% through 2020. When will 360-degree news production begin? It’s happening now say some experts.
A quick look at the lens to display pipeline highlights some trivial-seeming bottlenecks that place important constraints on motion imaging systems. One of these is the connection to the consumer display. The announcement of HDMI 2.1 is key to advancing to 4K and beyond, with additional support for HDR, and increased
Color grading may be one of the most processing intensive special effects in post production, but many call it the “unseen VFX”. In the first installment of this three-part series we looked at its current state because, when done properly, the viewing audience is usually not aware of its contribution.
Many broadcasters and sports production companies are migrating to HDR production. However, this move is not straightforward. Just as the move from 4:3 to 16:9 raised many issues, the move to a high dynamic range (HDR) and a wider color gamut (WGC) as defined in ITU standards Rec.2020 and Rec.2100 present many
Custom Consoles’ technical furniture has made it to the big screen, well at least a 360-degree screen on the ceilings of planetariums around the world. The company’s EditOne desks are featured prominently in the mission control room set in Mirage3D’s new virtual reality 360 degrees and fulldome film cal
Following the success of The Secret Service, Eggsy, Merlin, Roxy and Harry return in the second film instalment of the spy comic book series - Kingsman. This exclusive insight into the DI process details how Blackmagic’s DaVinci Resolve played an integral part. The Golden Circle sees Kingsman’s elite sec
Director Brett Danton has wrapped a 60-second spot for the new Jaguar F-PACE performance SUV shot on the Canon C200. Danton and DP Ashleigh Carter, opted to use Canon EOS C200 and EOS C700 Cinema cameras, a range of Canon EF and Cine lenses for the shoot, along with the