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The famous London facility has rebuilt its historic Studio 4 into a Gold Standard space for immersive mixing, complete with a scalable 9.1.4 monitoring solution based around Genelec’s ‘The Ones’ Smart Active Monitor family.
The 2022 Commonwealth Games will be the biggest sports event on UK shores since London 2012 with around 1.5 billion global audience expected to watch over the 11 day event beginning July 28. Bidding for the host broadcast contract began in summer of 2019 with the award announced for Sunset + Vine in April 2020. Here’s what S+V plan with a special focus on one of its OB partners, Gravity Media.
For the past 15 years, Chris Shepard, chief engineer and owner of American Mobile Studio, has been responsible for the music mixes broadcast over a variety of streaming platforms from some of the biggest festivals in the United States, including Coachella, Stagecoach, Lollapalooza, Bonnaroo and Outside Lands. His intention is simple: “It’s so important for it to sound exciting,” he says.
Visual storytelling technology platform disguise unleashes a new era of infinitely scalable, immersive entertainment with the release of their new flagship media server: the vx 4+.
Intracom Systems has added a series of hardware control panels to its VCOM platform, its IP-software multi-channel / multi-access communications solution. The VCOM hardware control panels are cloud / SasS ready, bringing users unprecedented agility, power, affordability, and ease of deployment for all professional and mission critical applications.
Nobody’s risking much, in 2022, by assuming we’re living through the genesis of virtual production. There are enough high-profile productions happening to lend the technique some legitimacy, and while the surge in both interest and the provision of facilities makes it hard to say how demand and supply are matching up, activity is at fever pitch.
Flowics has announced several new additions to its catalog of Data Connectors. The move broadens the assortment of native integrations of live external data that can directly populate broadcast graphics created with the Flowics’ cloud-based engine.
Almost since photography has existed, people have pursued ways of modifying the picture after it’s been shot. The “dodge” and “burn” tools in Photoshop are widely understood as ways to make things brighter or darker, but it’s probably less widely understood that they refer to techniques for exposure control that date all the way back to the earliest days of darkroom image processing. Bring moving images into the mix and consistency becomes a big concern too. Individual still photographs might be part of a single exhibition, but they don’t have any concept of being cut together in a sequence.
