How VLAN’s enable the division of an Ethernet network into multiple smaller logical networks.
Japanese broadcaster Asahi Television Broadcasting Corporation (ABC) has upgraded its ‘202’ outside broadcast truck to create a 5.1.4 immersive environment. The upgrade relied on a combination of Genelec’s ‘The Ones’ three-way coaxial monitors and GLM calibration software, and has provided ABC with a futureproof OB solution for the next generation of broadcast standards.
Video and audio production using IP networking is on the threshold of widespread adoption and may soon become the default way of working for live production. But nobody expects a total switchover to IP production anytime soon, even though, on the face of it, that would seem to be the ideal outcome. Practical considerations such as backwards compatibility and failover to more traditional methods are likely to require hybrid solutions for some time to come.
Design your monitoring system to be self-installing and maintain just one single set of source files that are cloned to your target systems. Implement self-configuring logic to avoid manual reconfiguration when new systems are added.
A broad look at the technology and techniques of virtual production, from the camera back through the video wall, processors, and rendering servers.
Blackmagic Design has announced that production company south&browse transitioned all aspects of post, including editing, color correction and finishing, to DaVinci Resolve Studio.
A guided tour through the basics of broadcast audio production workflow using the role of the mixing console and the core areas of its functionality, as a way to explain how it all goes together.
Flexibility and scalability are at the core of microservice architectures. To truly deliver on this, broadcasters will want to leverage the power of on-prem and off-prem hybrid solutions.
