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While it is easy to mount multiple wireless GoPro cameras around an event area.The real issue becomes how to accurately switch between them. Fortunately, there now is a solution.
Today’s standard industrial IT infrastructure has already overtaken the technology of AES/EBU, MADI and TDM routers in terms of performance, cost and flexibility. The rate of development of IT systems, fuelled as it is by a multi-billion dollar industry many times the size of the broadcast industry, is certain to widen this gap in the future. Over the next few years IT infrastructure will replace current broadcast infrastructure, delivering additional flexibility, better scalability and significantly lower costs.
Perhaps no equipment category will be more negatively affected by the upcoming FCC spectrum auction of U.S. airwaves than wireless microphones. For manufacturers of such wireless products, which have relied on a certain spectrum band to operate effectively for years, the impending channel changes have caused a slump in business, as concerned customers are not buying for fear of their systems becoming obsolete.
The right monitors, the correct setup, proper sound. In this guide to the setup of audio monitor loudspeakers, find out about the listening area, how to place monitors for the best results, and how to improve the room acoustics.
The coding efficiency of audio compression is about to improve markedly because of a new MPEG audio standard—MPEG-H. This standard will permit many new and useful capabilities for those involved in television audio.
Many elements of audio production have gotten simpler over the years. Even amateurs can learn to do basic multitrack recording at home with a brief tutorial. However, one area still not for the faint of heart is speaker installation and calibration. It requires training and practice, or professional set-up to do it right.
Blackmagic’s Davinci Resolve 11 is a versatile and multi-featured program. Video editor and instructor Steve Mullen reviews how to get the most from Resolve 11.3.
Steve Mullen continues his multipart series on using Blackmagic’s DaVinci Resolve, version 11. In this article, Part 3, Mullen reviews how to set Resolve preferences, import compressed and uncompressed media and grading goals.
