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_460_694_70.jpg "Sennheiser AVX wireless microphone system is focused on the needs of professionals.")
Amid plenty of rumblings about the upcoming U.S. spectrum auction, wireless microphone users are worried about the future of their UHF wireless systems. They are increasingly looking to 2.4 GHz technology as a solution.
Last month, NHK covered the New York Yankees and Seattle Mariners baseball game in 8K with six Ikegami cameras at Yankee Stadium. The game was viewed in 8K by the media in a special suite.
The European Broadcasting Union (EBU) and Belgian public broadcasting company VRT unveiled the LiveIP Project. The project is a collaboration between EBU, VRT and a group of companies to build of a live TV production studio at VRT’s premises in Brussels.
Raycom Media has expanded all 33 of its news-producing television stations to the exclusive use of Grass Valley’s Edius Pro editing software. The deal includes all software upgrades for the next two years and contains about 1,500 editing seats at the broadcast group.
How collaborative media platforms can help the broadcast industry win the war for talent.
Just when I thought it was going to be safe to go in the water, out comes a survey and a statement that Live over IP is still 5 to 10 years away. Really?
Previously, Annenberg’s curriculum utilized closed-system software in separate news environments. The main goal of the Media Center was to get them all playing together in one sandbox. The solution proved to be a Primestream FORK production suite.
IP video over Wi-Fi provided a solid new signal transport solution at a fraction of most wireless link costs. Wi-Fi was easy. The challenge was finding available devices to convert camera HDMI into IP for Wi-Fi transport, and decoders to convert IP back to HDMI for the production switcher.
