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My recollections of Ilpo Martikainen go back to 1983, which turned out to be an interesting year. Finding myself once more in Eindhoven, this time for an AES Convention, I mused that the newly announced Compact Disc had shifted the audio quality bottleneck firmly onto the loudspeaker and that something would have to be done.
Self-noise in a microphone is important if the recordist is seeking to come as close as possible to making a clean, noise-free recording. But how does one read self-noise specs and what numbers are good and bad when making a decision on which microphone to use?
In the previous Cloud Broadcasting article, we took a very brief look at cloud security and its advantages over traditional datacentre systems. In this article, we delve further into Cloud Born systems and investigate the new requirements for software development and upgrades in broadcast software services.
John Watkinson continues his multi-part tutorial series on loudspeaker design. In this article, he looks at the aperture effect and why it represents a challenge to loudspeaker designers.
It was exactly a year ago that the Hollywood Professional Association (HPA)’s long-time President Leon Silverman announced he was leaving the organization that he helped found to make room for the next generation of leadership and a newly expanded Board of Directors. The move surprised some, but was seen as a natural progression of an organization that since 1993 has supported individuals and businesses that provide creative and technical expertise, support, tools and infrastructure for professional content creation, distribution and archive.
This year’s NFL Super Bowl telecast, to be broadcast live on the Fox Sports Network, will once again provide a proving ground for the latest remote audio and video technology, with a few new twists thrown in for an added “wow” factor. Interestingly, much of the big game will be shot in 4K and HD simultaneously, although Fox Sports will be broadcasting the main action live in 1080i HD resolution.
In the last article on Cloud Broadcasting we looked at reliability and the client-server model in Amazon Web Services high availability zones. In this article, we look more at cloud security, a very emotive word in the IT community.
One of the great creative art forms in audio is constructing narrative stories using only natural sounds. A master of the craft is Jim Anderson, who for seven years created soundscapes to tell compelling stories for National Public Radio. Now, Anderson is sharing his skills with a new generation eager to invent the next generation of aural storytelling.
