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_460_250_70.jpg "This Bridge Technologies’ GUI displays unique packet flow analytics of latency on dual streams in a ST2022-7 redundancy configuration.")
Recognising the extremities of the bell curve distribution and the impact large jitter variances have on picture and sound stability is critical. Only when this is understood, do we hope to be able to build reliable, flexible, IP infrastructures that will meet the demands of real-time broadcast facilities.
Are you an IT engineer having trouble figuring out why the phones, computers and printer systems work but the networked video doesn’t? Or maybe you have 10-15 years of experience with video production equipment but really don’t understand why the rack room is filled with things called “switches.” Help for both levels of expertise is just ahead.
As broadcasters migrate to IP, the spotlight is focusing more and more on IT infrastructure. Quietly in the background, IT has been making unprecedented progress in infrastructure design to deliver low latency high-speed networks, and new highly adaptable business models, to make real-time video and audio work in IT infrastructures.
Stereo recording can be implemented in many ways. However, for broadcasters, the safest method for stereo broadcasting is Mid-Side, or M/S, a simple recording system that automatically protects the mono signal should something go wrong. Here are the basics of M/S recording.
Network Interface Cards (NIC’s) are often seen as the bottleneck of data processing for ST2110 and ST2022-6. IT manufacturers have witnessed similar challenges with high speed trading and 5G networks but have been able to provide real-time solutions to overcome latency and blocking. In this article, we investigate IT’s achievements and how they are applicable to broadcast television.
Riding on the back of IT innovation allows broadcasters to benefit from virtualization. In this article, we investigate those benefits and learn how they apply to television. Especially as we learn of the new trailblazers waiting in the wings.
Networked modular audio stageboxes have been around for a while and were hailed as a convenient alternative to clunky snakes and the huge patch bays that came with them. Unlike analog stage- and wallboxes, which usually only transmit signals to fixed locations or else require intricate and time-consuming cabling, they simplify connections and provide flexibility with respect to the I/O types.
Ribbons were the first great microphones, mainly due to their very musical, natural sound qualities. Invented in the 1920s, their run of popularity lasted until the 1960s when ribbons fell out of favor. That was not because of the microphone itself, but due to changes in the way voices and music were recorded. Now ribbons are back in favor. How did that happen?
