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There are many different requirements and expectations in the field of computer security and it may be as well to set out what some of them are. Computation is everywhere, from the ubiquitous iPhone to the military computer in an underground installation, and it is unrealistic to think that one security approach would suit all requirements. Computer security is also awash with buzzwords and these will crop up here with definitions of what they might mean.
Grass Valley announce the launch of AMS Express (Advanced Media Storage) a scalable, high-performance Network Attached Storage (NAS) solution that allows content producers to more easily expand storage capacity.
NewTek, the leader in IP-based video technology and part of the Vizrt Group unveil ProTek, an all-new tiered support program that allows customers to choose between 4 distinct levels of coverage, to include; Basic, Standard, High, and Ultra.
Elbo Studios co-owner Chris Fogel utilizes NUGEN Audio’s Halo Upmix, Monofilter and Stereoizer software for several high-profile streaming productions.
Italian broadcast services provider Global Production - EMG Italy has added two Bolero wireless intercom systems to improve clarity, enable communication over more channels, increase efficiency in daily operations, and save money on RF applications in outside broadcast environments and TV studios.
Flexible Access is a Vizrt initiative allowing customers to adapt and scale their production software up and down to meet rapidly changing production needs.
Grass Valley announces the next step in cloud-first production solutions with the introduction of GV K-Frame on AMPP, Grass Valley’s newly launched application suite for its Agile Media Processing Platform.
With the recent advances in artificial intelligence, post-production rotoscope tools are now so good that some DOPs are asking if we still need to use green screen at all, or at least, in quite the same way. Suddenly, it seems any background, no matter how complex, can be replaced in seconds on the editor’s timeline, allowing DOPs to shoot complex compositing assignments faster and more economically. For broadcasters, the benefits of an AI-powered rotoscoping tool are substantial as producers can repurpose a treasure trove of existing footage packed away in libraries and potentially reduce the need for new production or costly reshoots.
