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TRACAB announces new features for Paint, the award-winning tool for illustrated replay and virtualization.
After years of trial and error designed to reduce operating cost and (more recently) keep crews safely distanced, remote production has found its niche in live production and will remain the de facto method for producing events over a distributed network infrastructure. However, a big hurdle left to overcome for successful deployment of such networked workflows is latency. In live production, video latency refers to the amount of time it takes for a single frame of video to transfer from the camera to a processing location (on premise or in the cloud) and back to the display—wherever that display might be.
The studio’s design is intended to take viewers as close to the racecourse action as possible. The new studio will work as a hub by bringing in all of Racing TV’s race-day feeds, with reporters at every course, creating a ‘watch together’ racing community experience.
TAG Video Systems has provided Japan Cablecast with a 100% IP, 100% software system running on COTS hardware, to streamline and automate monitoring capabilities. Tokyo based Japan Cablecast, is a distributor of digital television broadcasts for cable stations.
As one of the last industry events to be held in person last year, the HPA Tech Retreat is going virtual for this year’s gathering of an elite group of broadcasters, production, and post-production professionals. The Hollywood Professional Association (HPA) holds this event every year and it has become one of the most anticipated networking and technology showcase events of the entire calendar.
_460_307_70.jpg "Developed to provide versatile control of both IDS and third-party broadcast systems.")
Densitron has announced a quartet of new touchscreens for its acclaimed Intelligent Display System (IDS) range. Simultaneously, the company is also launching a powerful new end-point SBC, R7, for use with the IDS solution.
Completely Ethernet based, the R&S®SpycerNode SC targets the storage requirements of both broadcast and post production workflows.
_460_345.png "Stephen Whiting, director for Newsy, running the show from his home using Viz Mosart newsroom automation software.")
With the pandemic’s alarming numbers now decreasing, news anchors have carefully begun reporting from the studio again, albeit in separate parts of the building and socially distanced. However, the IP-enabled technology and remote workflows developed by equipment vendors across the industry during the worst of it have endured and will for some time. These new tools allow reporters, producers and technicians to work from home by streamlining the process of producing a newscast.
