Interactive Rights are creating a new frontier in the media industry and promise to deliver more value not only for viewers, but for content owners, brands, and all other stakeholders. This collection of articles delves deeply into the technology and business models involved, and describes how the adoption of interactive rights are already driving significant engagement and value with viewers.
Digital Audio Denmark [DAD] announces that ST 2110-30 Audio over IP connectivity is now available for the brand’s audio interfaces, including the Thunder | Core series, Penta series, and AX32, via a new ST 2110/Ravenna/AES67 Card and free corresponding updates to the brand’s DADman control software and device firmware settings.
Telycam, a PTZ camera innovator with more than a decade of industry experience, has announced Mix One, an all-in-one video production solution designed to expand and elevate its PTZ ecosystem. Purpose-built for PTZ-centric workflows, Mix One combines an encoder, decoder, monitor, video switcher, and PTZ controller within a single, compact unit—giving creators a powerful yet intuitive tool for live streaming, podcasting, and professional content production.
Riedel Communications, in cooperation with the German Basketball Federation (DBB) and the German Sport University Cologne (DSHS), deployed its RefCam for the first time in Germany’s 2. Basketball-Bundesliga.
Covering everything from classical concerts and jazz festivals to corporate events and sports broadcasts, Steiger Media’s new AV-Mobil hybrid remote unit has enabled the company to reinvent its entire broadcast infrastructure with the installation of a Calrec Argo M console with integrated DSP.
As interest in large-sensor broadcasting has grown, manufacturers have been quick to create purpose-built cameras aimed at organizations keen to achieve that extra gloss without altering their working practices.
Digital Audio Denmark [DAD] announces Junior – a compact, hands-on controller for the brand’s flagship Thunder | Core series of audio interfaces.
Immersive audio has always been about transporting the listener to another world, and in today’s fragmented, non-linear and competitive media landscape, it’s more valuable than ever.
