Throughout this article we will discuss how taking advantage of SDM interfaces based on the Intel Smart Display Module (SDM) platform can transform the way display and video wall design and installations are approached.
Orchestral performances may be a relative rarity on U.S. broadcast television these days, but the past 18 months has seen quite a growth in classical music streaming online. Orchestral music has long been wrapped up in certain expectations, from the seating of the musicians to the quality of the audio, but the coronavirus pandemic has chipped away at some of those expectations, and that’s a good thing, according to New York-based Jody Elff, a Grammy Award-winning audio engineer, sound artist and designer.
The Advanced Media Workflow Association (AMWA) is reporting good progress on using the Networked Media Open Specification (NMOS) protocol developed by the group to precisely identify, control and manage devices on an IP network in a highly automated way.
The finite speed of light, and indeed of all communication has various impacts on broadcasting.
Was it to embarrass me or simply the only way to get the shot?
The recursive filter has the advantage of using less hardware, but is more complex to understand.
It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use in live broadcasting, but he is also helping to train A1s in the technical aspects of the immersive format.
Despite Zoom fatigue, one thing that can be said for some of the more recent online industry gatherings is that they are bringing people together in a highly focused and some say more productive way. After nearly two years of such virtual conferences, organizers have learned what works for attendees and what does not. Attendees themselves have also learned what programs work best for them and what don’t.
