Post-production is increasingly a collaborative process, with project files shared among different departments to be worked on simultaneously. This is primarily within the same networked building or possibly between adjacent premises, but the posting of the current Nissan Rogue commercial has taken the concept further - literally - with the
Just in time for the start of this recently past 2016-2017 season, Scotttrade Center, home to the St. Louis Blues NHL hockey team, upgraded the video control room that supports the center-hung video score board with a full complement of broadcast production solutions from Grass Valley.
Fox affiliate WICZ-TV has become the first U.S.customer for the ClassX on-air graphics solution, made by Italy-based ClassX and distributed in in North, South and Central America exclusively by FOR-A Corp.
Snell Advanced Media (SAM) announced that Hong Kong’s largest broadcaster, Television Broadcasts (TVB), has invested in its flagship Kahuna multi-format live production switcher and IQ Modular infrastructure for its first UHD outside broadcast vehicle.
In its role as host broadcaster of the UEFA Champions League final from Cardiff, BT Sport deployed EVS XT4K live production servers for the UHD-4K production workflow. At the same time the servers were used to drive HDR workflows, delivering both higher resolution and dynamic range to create
Broken is a six-part TV drama series, created by screenwriter Jimmy McGovern that first broadcast on BBC One. In this special interview, Patrick Hall, Head of Post at Liverpool producer LA Productions explains the main post workflow.
Russian broadcaster LiveSignal.Ru has chosen servers from Slomo.tv to provide all replays during its programs. Based in California, Slomo.tv was selected for its ability to support progressive scan images as well as providing 12 3G SDI replay channels, compared with just four for many other systems, according to
SAM’s LiveTouch replay and highlights system was used by BT Sport for the 360/VR UHD production of the UEFA Champions League final on Saturday, June 3. It’s another win for SAM’s LiveTouch system over EVS systems following FOM’s decision to kit out Formula One host broadcasts with
What if a video production could be tailored to each viewer, based on transmitted audio and video essence and data stored in the viewer’s browser? Suppose the browser could receive the content and based on the viewer’s personal data, create an individualized version of the program based on
Veteran technical furniture provider Custom Consoles has completed installation of more than 50 desks and work surfaces at RTL City, based in Kirchberg, Luxembourg. The newly renovated building is one of Europe’s largest broadcast media centers and the new home of Broadcasting Center Europe (BCE), which provides a wide range
The Perform Group is using Dalet Galaxy as part of its production system for its Japanese operation. The Tokyo facility uses Dalet Galaxy to produce and deliver J.League game highlights and magazine format program content.