Try our new AI powered Smart-Search!
While cloud services and remote production have dominated many conversations at recent trade shows, cameras and image processing remain a key part of any workflow. At the upcoming IBC Show, many companies will show new technology for capturing an image at its highest resolution and then converting it into a useable format for the variety of distribution platforms that broadcasters and content distribution organizations must support.
Responding to broadcasters’ requirements for cost-effective, networked audio monitoring, TSL will showcase its complete portfolio of audio solutions at IBC. Ranging from its MPA1 line to its SAM-Q and PAM offerings, TSL provides its customers with audio monitoring options that will fit varying workflows and budgets.
Studio Technologies will present its latest solutions at IBC 2022, including its Model 209 Talent Console, Model 354 Talk Station, Model 5304 Intercom Station, Model 5422A Dante Intercom Audio Engine, and Model 5482 Dante Bridge.
Hitomi, developer of the powerful MatchBox tools for lip-sync and latency measurement, will demonstrate its integration with VIDI NMS at IBC 2022.
As a video equipment manufacturer, how do you decide which combination of input and output formats to include in your products? As you finalize your design specification, do you have a hard time justifying all the different IO options that broadcasters might want?
At IBC 2022, Evertz will be highlighting its evertz.io platform, a Software-as-a-Service (SaaS) solution that is helping live sports, live entertainment and linear channel customers launch new channels and monetize content across a wide range of Over-the-Top (OTT), Direct-to-Consumer (DTC), Connected TV and traditional Broadcast distribution/streaming applications.
As broadcasters and content distribution services continue to look for the most cost-effective ways to create and distribute content in the cloud, equipment vendors have shown the flexibility of their respective technologies to be operated remotely, with precision and efficiency.
It’s been over 40 years since Genelec started life as a manufacturer of professional monitor loudspeakers, and I felt the urge to reflect on how much has changed in the broadcast world in that time, and yet how much the role of a good studio monitor has remained largely unchanged. After all, you’ve always used monitors to make judgements about the audio you’re working on, and to guide your actions to reach a point where you’re happy with the resulting mix – haven’t you?
