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Although his company has been doing remote production trials during live events for more than five years, Pierre Maillat, Head of Technical Studies & Architecture at CANAL+ Group, does not like the term. He prefers “distributed production” because he feels it more accurately describes the process for hosting a series of assets and using those assets in any combination you would like to at any given moment in time.
Italy’s large public broadcaster, RAI - Radiotelevisione Italiana, recently upgraded its Broadcast Production Center in Rome with a new control and signal distribution network based on Lawo IP infrastructure solutions.
Fox Sports is gearing up for its live coverage of Super Bowl LVII on February 12th, which will be the first NFL Super Bowl to be televised in 4K UHD. The game will be shot in High Dynamic Range (HDR) at 1080p and upconverted for broadcast in 4K and HD HDR for fans with TVs that support either Dolby Vision or the HDR10 4K HDR format.
Actus Digital’s Monitoring platform to assure QoS, QoE and compliance for both broadcast and OTT.
Motion estimation is one of the most important enabling technologies of video compression because it allows redundancy between pictures to be identified even in the presence of motion.
Providing an immersive video experience for fans while not detracting from the on-field action on game days is the ultimate goal.
Large-scale remote production systems can be complex and challenging to monitor, but IP presents many opportunities to capture and make use of rich data streams.
DataCore Software has acquired Object Matrix, the object storage pioneer and media archive specialist.
