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Europe’s TV standards body DVB has taken a further step towards Ultra HD TV (UHD) commercial deployment by approving UHD-1 Phase 2 at a recent meeting of its Steering Board. This second phase of the UHD commercial requirements adds support for HDR (High Dynamic Range) and Higher Frame Rate (HFR).
Security concerns dominate the discussion of adoption of cloud infrastructure in the Broadcast, Media and Entertainment space. The picture of a petulant executive declaring “I am not putting my content in the cloud!” stops many technical managers from a true investigation of the benefits and drawbacks for extending operations into cloud services.
In this Part 2 of the series, the author reviews best practices and tools needed to measure consumer’s QoE.
It is all very well being able to quantify the volume of a signal, however, what is important is how loud it is perceived to be.
Europe needs a unified approach to regulating hybrid mobile services combining satellite and ground based components, according to a recent white paper from satellite fleet owner and services provider EchoStar. The key issue is wide variation between some European Union (EU) member states over licensing regimes covering the complementary ground component (CGC) operating in the same frequencies as S-band Mobile Satellite Services (MSS) within common hybrid services.
The NASA TV channel, partially owned and powered by the latest compression technology from Harmonic and featuring programming captured and distributed in pristine UHD (2160p60) resolution, has become the first such channel available to consumers in North America. Only those with UHD-compatible televisions can view the full beauty of the breathtaking images from outer space.
Live TV field production of one-off sports events is an open invitation for surprises of all kinds. The show must go on and it’s the worst possible time for drama. It’s a good fit for passionate engineers who thrive on winning and enjoy alternating bursts of despair and adrenaline. The more adrenaline a field sports production generates, the greater the thrill. Like a magic act, the trick is keeping production secrets hidden from view.
When we look at the various TV packages available today, the vast majority of pay-TV service providers are failing to maximize the amount of data that can be attributed to all the content that is watched by viewers. Yet, in an era where personalization will be one of the biggest drivers towards purchased consumer content, the television industry has far wider scope to maximize the possibilities associated with big data. Ericsson’s Warren Chaisatien argues that pay TV operators are failing to exploit the data they have.