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HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind of realism into broadcast productions that our predecessors could only have ever dreamed of.
Our auditory system is incredibly sensitive to the smallest sound distortion or discontinuity. Even the slightest audio pop, stutter, or level clip grabs our attention and distracts us from the television or radio program. Consequently, vendors working in the audio space, especially in IP, have spent years refining their Audio over IP solutions to make the sound clear and distortion free, as well as easy to use.
Errors are handled in real channels by a combination of techniques and it is the overall result that matters. This means that different media and channels can have completely different approaches to the problem, yet still deliver reliable data.
The European Broadcasting Union (EBU) has declared satisfaction with the outcome of the latest World Radiocommunication Conference 2019 (WRC-19), but is concerned over indications that spectrum currently allocated to Direct Broadcast Satellite (DBS) might be handed over to fixed wireless broadband providers after 2027.
As the world prepares for 2020, broadcasters, video content creators and providers grapple with new formats and distribution models, and what it takes to test and maintain them.
Hackers are always improving the level of sophistication and constantly finding new surface areas to attack – resulting in the surging volume and frequency of cyberattacks.
Now the inaugural hype around Virtual Reality (VR) and Augmented Reality (AR) has subsided, deployments are ramping up, setting the stage for rapid growth over the next few years.
An engineering assessment of broadcast TV T&M needs and solutions in late 2019 suggests the new decade will bring more needs and solutions. A revelation such as this was once news.
