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TV test and measurement gear and instrument solutions also facilitate remote production and monitoring.
Among a number of things, the pandemic has accelerated product development timelines for remote production and the migration to virtualized IP infrastructures, supporting the ability to produce content remotely and stay socially distanced. Many of these new tools were already in place but were often still in early stages, and some were cobbled together nearly on the fly as broadcasters coped with the careful return of live sports.
In 2018, Rohde & Schwarz announced a new multi-user shared access storage system called SpycerNode. It offers a radically different approach to coping with broadcast & media storage requirements. In this article, we take a closer look to see how its approach differs and where this might add value to broadcasters, content owners and facilities.
Big-screen LCD TVs are not going away any time soon. Given the economy of scale, the LCDs in our homes and studios work well enough and will continue to work well enough for several more years. But given the advances in LED display technology, especially microLED, the writing of sub-micron size pixels is literally on the wall.
The seismic shift in paid video away from legacy broadcast towards online services has occurred first in developed nations spearheaded by the US, but recently similar trends have been gathering force in some developing markets as well.
The arrival of 5G brings both opportunities and challenges to communications, media and entertainment companies, as well as the original equipment manufacturers (OEMs) working to support them.
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“‘Chris,’ she said, ‘it’s about an order of nuns who’re protecting the world.’”
Now the CRT is history, we have to justify the retention of gamma on its performance as a perceptual compression codec. That requires its effect on human vision to be considered.
