Try our new AI powered Smart-Search!
It’s hard to object to raw recording. The last thing anyone wants is for the creative intent to be adulterated by unfortunate technical necessities like compression, and the flexibility of raw makes for… well. Let’s admit it: better grading, but also easier rectification of mistakes after the fact, to the point where the glitch isn’t really noticeable.
Any experienced master control operator or quality control manager will tell you that monitoring hundreds of feeds requires that each individual channel is delivered reliably, on time and to the exact location it was meant to go. When these signals are distributed over the public internet, strict protocols must be followed in order to ensure reliability and quality for every video service it supports.
There was a time, not too long ago, when 100 Gigabit Ethernet (100GbE) IP switching was only considered for IT data centers moving large amounts of financial and military data. With the growth of media and the urgent need for remotely controlled production infrastructures, 100 Gb/s is no longer a far off dream for content distribution system engineers and has become a slow-but-steadily emerging contribution reality that meets the capacity needs of today’s bandwidth-hungry media industry.
The latest displays looking to gain a footing in the studio production arena are made from a technology known to mobile phone developers called organic liquid crystal displays (OLCD). It’s now being tested for dynamic set elements where video can be wrapped around and on top of a set piece. Other ultra-thin, shapeable technologies being discussed but not yet implemented include Flexible Open Frame OLED, In-Glass Wallpaper OLED and Ultra Stretch LCD signage displays.
To date, the explanations of gamma that are seen mostly restrict themselves to the voltage or brightness domain and very little has been published about the effects of gamma in the frequency domain. This is a great pity, because analysis in the frequency domain produces interesting results.
Oversampling is a topic that is central to digital audio and has almost become universal, but what does it mean?
_DD_460_291_70.jpg)
There’s a famous saying about working with children and animals. During production of An Elephant’s Journey, cinematographer Stephen Whitehead would encounter both, and face the challenge of depicting the vast African landscape in a manner befitting a story from the grand tradition of children’s adventure writing.
Big movies still demand big setups, no matter what anyone tells you about the battery-powered light they’re trying to sell. Battery-powered lights are wonderful, of course, even if we only use the battery power for long enough to walk a light in and set it up, but popular ideas about just what they’re capable of can be, well, a little ambitious, and that’s occasionally getting people into trouble.
