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Awarding-winning production and post production house Fifty Fifty has invested in a Leader LV5600 broadcast-quality waveform monitor for use at its Soho headquarters.
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Filmmaking is not usually a weekend pursuit, but a sufficiently clever script can make a wide-ranging story happen in a very contained space.
The 9904-UDX series of openGear scaler/frame synchronizers now accepts 3G Level B-DL signals in addition to 3G Level A (the two main formats for 3G-SDI support).
UK broadcaster ITV recently refreshed its platform for delivering simulcast channels with cloud-based technology from Amazon Web Services (AWS).
The Tokyo 2020 Olympics is giving Japan the perfect stage for showing off the quality of 8K broadcasting, even if the Games are a year late and muted in their impact by the lack of crowds and controversy over staging them at all at a time of a Covid-19 surge in the country. It is the chance for the country and especially its national broadcaster NHK, which has long championed the cause, to convince other countries that they should consider adopting this high resolution 4320 x7680 format despite its huge toll on bandwidth and storage.
Swedish media transport technology vendor Net Insight has continued its revival by winning a $900,000 order from an unnamed North American tier 1 service provider.
ATG Danmon announces the completion of a large-scale upgrade to the news production and editing facilities at the London headquarters of Alaraby Television. Based in Park Royal, Alaraby broadcasts via satellite to viewers throughout the Middle East, North Africa and Europe, as well as globally via cable and online.
There is no doubt that esports is here to stay. The scene, while very fluid, is absolutely in the mainstream now. It’s not easy to find absolute consensus among the various reported numbers, but if you had to put a pin in the map, it looks like esports is set for around 500 million viewers worldwide this year.
