Public internet-based remote TV production adds new critical monitoring points to avoid digital cliffs.
High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers’ demand.
There was a time when the mere mention of bringing artificial intelligence (AI) and machine learning into the media industry brought visions of robots replacing humans. Today that is certainly not the case—although we might be getting close: I saw a robotic camera operator move the cameras for a national television news show from his converted kitchen table. On-air, viewers never saw a difference from the programs they always watch.
What is the internet? Who is the internet? Where is the internet? These are the first three questions on the tip of every engineers and technologist’s lips. Before we can ever possibly hope to work with internet technology, we must be able to answer these three basic questions.
We move on to looking at developments in noise cancelling technology and the role it can play in achieving clarity and comfort within headsets for intercom use.
This is the second instalment of our deep dive into the rapid growth of OTT, high user expectations and the developments in hybrid systems which combine CDN with storage and distributed processing to meet demand.
The term “paperless office” goes back at least to 1978. The parallel term “filmless movie” is actually far older, dating perhaps from a 1930 article by the Hungarian inventor Dénes Mihály in the West Australian, published in Perth on 9 April 1930. Given how long it took us to actually achieve a filmless movie even after Mihály had proposed the idea, it’s perhaps no great surprise that the paperless office is still, mostly, some way out of reach.
The recent news that NTV has become the first Russian TV channel to experiment with 5G broadcast, one of many such transmission tests that have been conducted over the past 18 months, illustrates that broadcasters see a bright future in the next-generation cellular data delivery system.
