_operating_on_Court_18_460_207_70.jpeg "Leanne Lewis operating an NEP/Sony UHD camera on Court 18 at this year’s Wimbledon tennis tournament.")
This year’s coverage of the 2023 Wimbledon tennis tournament is the biggest and most comprehensive production ever for the event, starting with the hundreds of technical crew working on it.
Video and audio production using IP networking is on the threshold of widespread adoption and may soon become the default way of working for live production. But nobody expects a total switchover to IP production anytime soon, even though, on the face of it, that would seem to be the ideal outcome. Practical considerations such as backwards compatibility and failover to more traditional methods are likely to require hybrid solutions for some time to come.
The role of regulatory bodies such as the FCC, ITU & national governments, and how RF standards and regulations are set and enforced.
What are D2C streamers planning for our future viewing experience?
A guided tour through the basics of broadcast audio production workflow using the role of the mixing console and the core areas of its functionality, as a way to explain how it all goes together.
The Video Services Forum (VSF), has further enhanced the Reliable Internet Streaming Transport (RIST) protocol by incorporating a RIST Relay function to address the issue of firewall traversal for RIST devices. This feature, detailed in TR-06-4 Part 3, is the third release in a series of ancillary features for RIST specifications.
Flexibility and scalability are at the core of microservice architectures. To truly deliver on this, broadcasters will want to leverage the power of on-prem and off-prem hybrid solutions.
Defining the different types of RF modulation, power levels, regulatory standards and licensing for CW, AM, FM, and TV RF transmission.
