Harman Professional Solutions has released new software (V2.0) for its Studer Micro Series Production System that adds new features and functionality to improve audio mixing workflows for broadcast and production applications.
The cost of top-quality audio recording gear is falling fast, making professional recording accessible in just about any kind of space. But the one remaining factor in “out of studio” recording is room acoustics. The sound in a space can make a major difference in the quality of your audio.
The dbx 286s is a full featured channel strip that includes a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. For less than $200, it has become the faithful friend of thousands of voiceover artists throughout the world.
Germany’s Fraunhofer IIS (Institute for Integrated Circuits) is demonstrating advances made in its media laboratories with an emphasis on next generation audio at the Consumer Electronics Show (CES) in Las Vegas on January 8 to 11 2019. There are debuts for the first commercially available MPEG-H-enabled 3D soundbars, Sonamic Loudness for car s
Axia Audio, part of The Telos Alliance, has unveiled a new Audio over IP (AoIP) mixing console, a surface and mix engine in one chassis, called iQx that simplifies setup while providing virtually endless connectivity options.
Stagetec has added parallel (aka, New York) compression to its Aurus platinum console for recording and TV post production projects. Parallel compression will be available with software release 4.7 and will then also be available in the company’s Crescendo platinum console as well.
Floating Earth, a UK-based location recording and production company, operates a well-equipped OB truck alongside its in-house postproduction suites and mobile facilities. The company recently upgraded the production unit’s audio capabilities with a mc²56 mixing console with five mxDSP Cards and a Nova73 Compact router from Lawo.
It was a busy October for the editors at The Broadcast Bridge. Last month we published more than 200 feature articles, tutorials, essential guides and new product information. A reader could be excused for missing some of that content, especially in light of the multiple exhibitions and conferences that took place
Pro TV, a regional TV station in Romania, has upgraded its existing Calrec Audio live mixing desks to two new Artemis Light audio consoles for use in daytime show productions as well as for live sporting events. The new consoles are an upgrade from Calrec’s Sigma and Omega legacy d
Due to the much publicized loudness wars, we now have a standard to measure loudness: the EBU R128 specification. This is a look at how this standard applies to sound engineers doing live audio or recording for various broadcast media.