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We continue our series on things to consider when designing broadcast audio systems with the beating heart of all things audio – the mixing console.
Remote Integration Model (REMI) production is more than remote cameras. It’s a new way of thinking and working. This tale of trying to implement a REMI production model within tight financial constraints highlights some of the operational challenges involved.
Founded in 2001, Blackmagic Design is based in Melbourne, Australia, with offices in Fremont and Burbank, Calif. in the U.S., as well as Manchester, England, and Amsterdam, The Netherlands.
We continue our series of articles on design considerations for Media Supply Chains looking at the technology trends influencing Ingest.
Signal transducers such as cameras, displays, microphones and loudspeakers handle information, ideally converting it from one form to another, but practically losing some. Information theory can be used to analyze such devices.
Independent feature film “Down with the King” was shot with Blackmagic Pocket Cinema Camera 6K digital film cameras, relying on their dual native ISO to capture the majority of the film only using natural light.
Connecting a camera in an SDI infrastructure is easy. Just connect the camera output to the monitor input, and all being well, a picture will appear. The story is very different in the IP domain.
We begin our series on things to consider when designing broadcast audio systems with the pivotal role audio plays in production and the key challenges audio presents.
