Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
You may also deploy non-SMPTE standards such as AES, MPEG and others in your workflow architectural design.
All of the AMWA NMOS documents are available free of charge at the AMWA web site. Download what you need.
There are many other useful recommendations published by the VSF and they are worth reviewing to understand the provenance of ST 2110.
ST 2110 does not stand in isolation but relies on many other related SMPTE standards.
The main focus of this series is on the potential impact of 5G Broadcast on content delivery, here we take a look at how this might combine with 5G contribution to form a 5G transport ecosystem.
How adding PTP to asynchronous IP networks provides a synchronization layer that maintains fluidity of motion and distortion free sound in the audio domain.
As an industry leader in design, project management, manufacturing and installation, ACE Sports offers the best in video/scoreboards, audio and production equipment for every sport across North America, including at the high school, collegiate and professional levels. For the company’s recent installation at Nashville High School in Arkansas, JVC Professional Video provided a complete, glass-to-glass production solution, featuring two of its industry-recognized GY-HC500UN CONNECTED CAM Handheld Production Cameras and a full complement of the brand’s workflow tools.
