Color and Colorimetry – Part 8 January 22^nd 2020 - 09:00 AM

The derivation of the famous CIE horseshoe was explained in the previous part in terms of a re-mapping or distortion of rg color space. The derivation is somewhat abstract because the uses of color science go far beyond the applications in broadcasting. However it is equally possible to describe CIE

Manfrotto Introduces “Pro Rugged” Line Of Memory Cards January 21^st 2020 - 11:00 AM

Manfrotto is now in the memory card business, introducing a range of cards claimed to be the toughest available on the market.

54th NFL Super Bowl Telecast Gets HDR Treatment For Viewers With 4K TV Sets January 20^th 2020 - 11:00 AM

While the annual NFL Super Bowl typically serves as a great technology showcase for trying out new ways of covering the game on television (e.g., augmented reality graphics and immersive audio), this year’s main Super Bowl LIV game production will employ a well-rehearsed game plan.

Cooke S7/i Full Frame Plus Lenses Used On Cuba January 17^th 2020 - 12:05 PM

Cinematographer Peter Chang used Cooke S7/i Full Frame Plus Lenses to complete his latest documentary, Cuba, an IMAX film.

JVC “Connected Cam” Cameras Now Shipping January 16^th 2020 - 01:00 PM

Initially shown at the IBC Show in September, JVC Professional is now shipping its Connected Cam 500 Series of handheld streaming camcorders. The series includes three compact 4K cameras that are optimized to support high-quality image processing and IP performance.

Why On-Camera Filters Still Matter January 16^th 2020 - 09:00 AM

We live an era of immensely powerful post-production tools with advanced color-correction and software plug-ins to serve every conceivable function. We can routinely remove guy wires from scenes, change day to night, and add just the right amount of coral or other color to fit any desired mood or impulse.

Arri Delivers Line Of Signature Prime Lenses January 14^th 2020 - 01:00 PM

Known for capturing warm, smooth skin tones, with exceptionally soft bokeh and delicate flares, Arri’s Signature Prime lenses are the first full range of large-format lenses designed specifically for digital cinematography.

Luxli Introduces The Taiko LED Light January 13^th 2020 - 10:00 AM

Luxli has debuted the Taiko RGBAW light, which offers a raw 15,500 lux with a 250 watt maximum power draw.

Sensors and Lenses - Part 2 January 13^th 2020 - 09:00 AM

Last time, we talked about the history that created modern digital cinema technology, and particularly the factors which lead to the modern push for ever larger sensors. It’s been going on in some form for twenty years, to the point that we’re now asking for bigger imagers than cin

PrimeTime Lighting Introduces MSLED 40 XB2 For Broadcast Studios January 10^th 2020 - 01:00 PM

PrimeTime Lighting has introduced the MSLED 40 XB2, an updated light with a digital display interface and throw of soft light and shadow.