Atomos is targeting aspiring filmmakers using the new generation of full frame mirrorless cameras with its Ninja V 4K HDR monitor/recorder, which now supports Apple’s ProRes RAW video format. Until now, RAW video has been the domain of dedicated cinema cameras that are either limited in features or p
Newsgathering is changing rapidly due to the internet, smartphones, broadband wireless and live-streaming apps. Television news and newspapers continue to compete with online news sites to produce the latest video. The old days of ENG have moved to “mojo,” for mobile journalism.
As broadcasters aim to deliver superior-quality video content for live news and event coverage, data costs are spiraling out of control. Yet, technological advancements have been made that significantly reduce the bitrates typically associated with broadcasting high-quality video in real time over bonded cellular and the public internet. This article
With each new program or channel launch, broadcasters are experimenting with the latest technologies that disrupt the traditional models of distribution and improve upon the sharing of content between stations. They have to in order to produce high-quality and captivating multimedia content with ever-shrinking resources amidst today’s highly competitive T
LiveU’s 2018 ‘State of Live’ report says HEVC now represents 25% of worldwide traffic. In addition to growing HEVC adoption, data also indicates a 55% increase in live transmission hours and emergence of 4K resolution in live broadcasting.